I was ready to bury it. The prototype sat on my desk for weeks. It was a throwback to the kind of unapologetically mossy, herbal masculines that roamed the earth in the early ’80s. It was everything I had aimed for: resinous, pine-laced, camphorous, bitter-green. The kind of fragrance that smells like it’s lit from within; a silver-green glow in a shadowed forest.
And yet… I doubted anyone would “get it.” Treemoss, especially the quality I had procured, isn’t the soft, laundry-fresh greenery most modern noses may expect. This is the real thing: dry, resinous, slightly sweet, humming with the soul of the forest floor. Paired with laurel, cypress, and artemisia, it doesn’t whisper — it declares. It’s the scent of a man who is not afraid of green, of shadow, of depth.
I nearly shelved it for good. But one night, I thought: Why am I creating if not to make what I believe in? The next day, Mousse Illuminee was born.
Each batch is built by hand. No industrial shortcuts, no diluted accords. It’s not made by the thousands, and it never will be; I couldn’t even if I wanted to. There’s only so much of the particular quality of treemoss absolute in my studio, and when it’s gone, I’ll have to wait until I can source more of the same grade.
What you’re holding is a forest in motion: green light spilling over old stone, resin rising from the bark, the air alive with bitter herbs. It’s not for everyone. It was never meant to be. But if you understand it, you’ll understand why I couldn’t let it die in my notebook.